Why do people like pauls boutique

You veer. You show them who you really are. It's not this. It's not that. It's something else entirely. Something they could never have imagined. This brief, generalized history of adolescence is what I think of when I think about what the Beastie Boys accomplished, 25 years ago, with Paul's Boutique , their second album.

You can't write the history of American popular music without them. But in , when Paul's Boutique first came out, the public--including other musicians on the hip-hop scene--were surprised about the extent to which it veered not only from License to Ill , the Beastie Boys' debut, but also from the history of recorded rap, up to that point. A kaleidoscopic montage of quick-cut samples and smart-mouthed spiel drawn from seemingly every corner of the pop-culture spectrum, from Johnny Cash to the glam-rock group Sweet, Paul's Boutique attained the status of a critically revered masterpiece.

If you've never listened to Paul's Boutique , which has sold more than 2 million copies and made innumerable "Greatest Album of All Time" lists, including Rolling Stones ' and Time's , here's what a "kaleidoscopic montage of quick-cut samples" actually means.

In " Egg Man, " the fourth song on the album, there's a sample from the bass riff in Curtis Mayfield's " Superfly. The result? The long-term success of the album provides a compelling reminder that consumers and critics will ultimately base their loyalties on the excellence of the end product.

They want to be entertained. They want your product or service to make them happy. They do not, by and large, want to assign grades for how original a product is.

Like a lot of hip-hop artists, the Beastie Boys recognized that what matters most is whether your music can " move the crowd ," so to speak. Named after a clothing store on the lower east side in New York City, the album was very polarizing and misunderstood at the time and people brushed it off before they even got a chance to truly digest its creative brilliance.

The Beastie Boys effortlessly rebelled against the norm by pioneering the punk-rock-rap movement which consisted of razor-sharp satire and rapid-fire rhymes overtop of multi-faceted samples. They challenged traditional hip-hop in ways that no one has ever seen before or will likely ever achieve again. It also peaked at 37 on the New Zealand singles chart. The song and disco-camp video became a cultural touchstone with its start-stop transitions and ability to make you simultaneously rock out whilst hitting the d-floor.

You know, radio can be very narrow in its approach to music just because it's a business like everything else. Their listeners want to hear things that they think sound familiar. Male bravado. It was something that was very different than a straight-up rock record that somebody was rapping over it. And it had a hard time finding its place on a playlist where something like Licensed to Ill could be played next to a straight-up rock track. Slater seems to think it was worth it.

Each of those guys, you know, had a very distinct personality but also had a vast vocabulary about that music. And you know, one of the things when you, when you listen to Paul's Boutique , you see there the humor that the Beastie Boys have, which becomes I think more sophisticated on that record than Licensed to Ill. But yet it's still very playful and fun. It's like the mentalist fun ethic on a record.

And that's also you know, the greatness of intricate and layered record-making, which they were clearly pioneers of. But when I saw the Beastie Boys, the three of them with their notepads in a vocal booth working out the rhymes, and then the sampling that was going on to create these tracks, it was really revolutionary — the incredibly artful synthesis of all of those elements of music coming together in a recording studio, the culture of hip-hop and the culture of rock, and the craftsmanship of Matt Dike, and those guys.

I worked with a lot of people and I was just around lot. That was probably the most groundbreaking moment, I think, of 30 or 40 years of me being in a recording studio. Beastie Boys share 'To the 5 Boroughs' rarities: Listen. Want daily pop culture news delivered to your inbox? A Chinese professor visiting Los Angeles early this month fought off an attacker using martial arts in an incident that has gone viral across Chinese media.

Pigai came to Los Angeles on Oct. Until I saw this.